预告 | 安尼施·卡普尔 ANISH KAPOOR & 丹尼尔·布伦 DANIEL BUREN 即将联合于常青画廊圣吉米那诺展出
DANIEL BUREN & ANISH KAPOOR
丹尼尔·布伦 & 安尼施·卡普尔
SAN GIMIGNANO
圣吉米那诺
26/05/2018 - 02/09/2018
安尼施·卡普尔1954年出生在孟买。在七十年代，他搬到了伦敦，在那里他仍然生活与创作。他曾在巴塞尔艺术馆，伦敦泰特美术馆和海沃尔美术馆，马德里索菲娅王后国家艺术中心，波尔多CAPC美术馆，巴西利亚、里约热内卢、圣保罗的CCBB文化中心等广为人知的国际机构举办个人展览，以及在慕尼黑艺术之家美术馆和伦敦皇家艺术研究院的举办个展。卡珀尔的作品被许多公共和私人机构收藏，包括纽约现代艺术博物馆和阿姆斯特丹市立博物馆。他于1990年获得威尼斯双年展最佳年轻艺术家Duemila奖，于1991年获得英国透纳奖，于1997年在伦敦机构被授予荣誉奖章。卡普尔属于那类会提出炼金术般问题的艺术家，他领先于相互矛盾的概念，创作的作品促使我们超越外观表象，寻求存在。他从而使我们反思物质及其能量的潜在影响力，也因此比喻整个宇宙。
Anish Kapoor was born in Bombay in 1954. In the 70s he moved to London, where he still lives and works today. He has had solo shows at the Kunsthalle in Basle, the Tate Gallery and Hayward Gallery in London, the Reina Sofia in Madrid, the CAPC in Bordeaux, the CCBB Centro Cultural Banco do Brasil in Brasilia, Rio de Janeiro and São Paulo, and, more recently, at the Haus der Kunst in Munich and the Royal Academy of Arts in London and many more internationally acclaimed institutions. Kapoor’s works are held in many public and private collections, including the MoMA in New York and the Stedelijk Museum in Amsterdam. He received the Premio Duemila at the Venice Biennale in 1990, the Turner Prize in 1991, and was awarded an Honorary Fellowship at the London Institute in 1997. Kapoor belongs to the line of artists who pose alchemical questions, and who also precede by way of paradoxical concepts, producing works that push us beyond appearance in search of being. In so doing he makes us reflect on the latent state of the power of matter itself, of the energy contained within it, and for this reason ametaphor of the entire universe.
▲ 下降 Descension
2015
钢铁、水、发动机 Steel, water, motor
500 x 500 cm
摄影 Photo: Ela Bialkowska
▲ 洞穴 Cave
2012
柯尔顿 Corten
551 x 800 x 805 cm
摄影 Photo: Oak Taylor-Smith
▲ 交集 Intersection
2012
柯尔顿 Corten
515 x 812,5 x 514,4 cm
摄影 Photo: Oak Taylor-Smith
▲ 无限圆柱 Endless Column
1992
玻璃纤维和颜料 Fibreglass and pigment
400 x 60 x 60 cm
摄影 Photo: Ela Bialkowska
▲ 无题 Untitled
2014
亚克力 Acrylic
50 x 40 x 40 cm
摄影 Photo: Ela Bialkowska
▲ 无题 Untitled
2015
汉白玉 Alabaster
131 x 74 x 35 cm
摄影 Photo: Ela Bialkowska
▲ DANIEL BUREN 丹尼尔·布伦
纪念相片-对角线周长 Photo-souvenir : Une diagonale pour un périmètre
1970 - 2017
特定装置 Work in situ
Green adhesive vinyl large 8,7 cm on white wall
▲ ANISH KAPOOR 安尼施·卡普尔
无题 Untitled
2016
汉白玉 Alabaster
100 x 79 x 67 cm
摄影 Photo: Oak Taylor Smith
1938年出生在法国巴黎市镇布洛涅-比扬古的丹尼尔 · 布伦，于1957年至1960年间在Ecole des Métiers d’Art求学，随后在国立美术学院短暂进修，丹尼尔 · 布伦在其艺术生涯初期创造了一系列基于绘画、雕塑和电影边界的实践。1960年在其完成了首个绘画作品后，他很快转向一种有价值的创作方式，这样的方式显露出对于绘画中存在的幻想内容的抵消和中和，以及艺术家对于叙事主题的“偏离”，而这恰是他作为艺术家工作的核心。1965年丹尼尔 · 布伦开始使用条纹幕布材料创作，这种每条宽8.7厘米，白色和彩色混合交替的垂直条纹成为了构成他艺术创作语言的基础。这种具有工业化制造概念的图形完美回应了丹尼尔 · 布伦对于客观性的追求，并且使他足以强调其作品中仅作为在创作初期支持的非个人化特性。迄今为止，丹尼尔·布伦的在地装置作品在世界各地展出数以千计，其中大部分在展示后被销毁，从而消失在这些作品所创造的时空之外。当然，目前全世界领先的美术博物馆将其一些重要作品列为永久馆藏。引人注意的是，如此的经济化方式是如何制造了这些丰富多彩的作品呢。
After studying atthe Ecole des Métiers d’Art from 1957 to 1960, followed by a brief spell at the Ecole Nationale Supérieure des Beaux-Arts, Daniel Buren (Boulogne-Billancourt,1938–) conducted a series of experiments at the beginning of his artistic career that lay on the boundary between painting, sculpture and cinema. Following his first pictorial works in 1960, he moved rapidly towards an economy of means which already revealed a neutralization of the illusionistic content of painting and his indifference for the narrative subject, central themes in his work as an artist. In 1965 he began touse a striped curtain material, the components of which became the basis of his artistic syntax – alternate white and coloured vertical stripes, each 8.7 cm wide. This industrially manufactured motif responded perfectly to his desirefor objectivity and enabled him to accentuate the impersonal nature of his work, even though initially it was only used as a support. To date, Daniel Buren has produced thousands of in situ installations all over the world. The majority of these are destroyed after being presented, and so do not exist outside the time and space for which they are conceived. However, there is also an important body of permanent works in the collections of leading museums around the world, and it is surprising to note how such an economy of means has generated such a richness and complexity of work.
▲ 纪念相片-一件接一件 Photo-souvenir: Una cosa tira l'altra
2015
定点特定装置 Works in situ and situated
Scaffolding, white matt adhesive vinyl large 8,7 cm on green painted wood
Work space dimension
摄影 Photo: Ela Bialkowska. © Daniel Buren/ADAGP, Paris
▲ 纪念相片- 一件接一件 Photo-souvenir: Una cosa tira l'altra
2015
定点特定装置 Works in situ and situated
脚手架，白色无光乙烯粘合于8.7厘米绿色漆木头 Scaffolding, white matt adhesive vinyl large 8,7 cm on green painted wood
Work space dimension
摄影 Photo: Ela Bialkowska. © Daniel Buren/ADAGP, Paris
▲ 纪念相片-关于转折点的迂回 - 铭文 Photo-souvenir: “Circa il ritorno di una svolta – Iscrizioni.
第四版，特定装置，常青画廊圣吉米那诺，2010年6月 Versione IV”, work in situ, Galleria Continua / San Gimignano, giugno | June | juin 2010
原木桌，颜料，墨 Tables of rough wood, paint, ink.
123 x 1480 x 990 cm
摄影 Photo: Ela Bialkowska
▲ 纪念相片-大莫兰河的三种颜色 Photo-souvenir: 'Trois couleurs sur le Grand Morin'
特定作品，常青画廊巴黎穆林空间，2017年10月 Travail in situ, Galleria Continua / Les Moulins, Paris, Octobre 2017.
自动粘合彩色乙烯，自动粘合白色乙烯 Auto-adhesive coloured translucide vinyls, auto-adhesive white vinyls
每个窗户 50 x 170 cm each window
摄影 Photo: Oak Taylor Smith. © Daniel Buren/ADAGP, Paris
▲ 纪念相片-色彩，光，投影，阴影，透明度 Photo-souvenir: Colore, luce, proiezione, ombra, trasparenza, lavoro situato n°6
2015
定点装置 Situated work
彩色透明粘合剂，白色无光粘合剂，8.7厘米条纹粘在透明树脂玻璃和钢架结构 Adhesive colored transparent vinyl, white matt adhesive stripes large 8,7 cm on transparent Plexiglas, metallic structure
200 x 200 cm
摄影 Photo: Ela Bialkowska. © Daniel Buren/ADAGP, Paris
▲ 纪念照片-墙壁切割和投影 Photo-souvenir: Il muro tagliato e proiettato
2015
特定作品 Work in situ
8.7厘米蓝色无光粘合乙烯于木头 Blue matt adhesive vinyl large 8,7 cm on wood
环境大小 Ambient size
摄影 Photo: Ela Bialkowska. © Daniel Buren/ADAGP, Paris
▲ 纪念相片-棉花帆布上的搪瓷油漆 Photo-souvenir : Peinture émail sur toile de coton
May 1965
定点作品 Situated work
绢布油漆（粉红色）Enamel paint on cotton canvas (pink sheet)
224,5 x 192 cm
摄影 Photo: Ela Bialkowska. © Daniel Buren/ADAGP, Paris
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